Kino bez kinoteātra. Covid-19 krīzes ietekme uz filmu izplatīšanu, kinofestivāliem un kino skatīšanās paradumiem
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Date
2021
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Rīgas Stradiņa universitāte
Rīga Stradiņš University
Rīga Stradiņš University
Abstract
Visā pasaulē kinoteātri ir slēgti un radīto darbu nodošanu skatītājiem režisori un producenti taupa labvēlīgākiem apstākļiem. Gadu desmitu laikā kinoteātri ir pārdzīvojuši vairākas konkurējošas tehnoloģijas, kas apdraudēja to pastāvēšanu, tostarp televīziju, kasetes un diskus, un nu teju katram jebkurā vietā un laikā ērti pieejamās straumēšanas platformas. Neskatoties uz kino pieejamības daudzējādām iespējām, cilvēki turpināja doties ārpus mājas, lai baudītu kino uz lielā ekrāna. Taču Covid-19 krīze ir paveikusi to, ko nav spējuši divi pasaules kari – slēgusi kinoteātru durvis. Kino tā tradicionālajā izpausmē kā viens no masu komunikācijas rīkiem un ietekmīgākajiem medijiem, kas pilda atbilstošas tā funkcijas, varētu piedzīvot nopietnas pārmaiņas. Radošā bakalaura darba “Interviju sērija ar latviešu spēles kino režisoriem “Kino COVID-19 pandēmijas laikā”” autores mērķis ir dokumentēt šī laika unikalitāti interviju sērijā ar latviešu kino režisoriem, kuru kino darbus ir tapuši vai izplatīti pandēmijas laikā. Apkopotais teorētiskais materiāls, sākot ar kultūras žurnālistikas specifikas un intervijas kā žurnālistikas žanra teorētisko apskatu, Covid-19 ietekmi uz kino industriju, un beidzot ar kino mākslas teoriju un ražošanas tehniskajiem aspektiem, ir būtisks radošā darba realizācijā, lai veiktu kvalitatīvu kultūras žurnālistiku.
Cinema theatres around the world are closed and film directors and producers have been saving their work to the viewers for more favorable time – when the cinemas will be opened again. Over the decades, cinemas have survived a number of competing technologies that threatened their existence, including television, cassettes and discs, and streaming platforms that are now easily accessible to almost anyone, anywhere, anytime. Despite the many flexible options available to watch movies, people continued to go outside to enjoy cinema on the big screen. But the Covid-19 crisis has done what two world wars have failed to do: it has closed the doors of cinema theatres. Cinema in its traditional form, as one of the tools of mass communication and one of the most influential media performing its respective functions, could undergo serious changes. The aim of the author of the creative bachelor's thesis “Interview series with Latvian feature film directors “Cinema during the COVID-19 pandemic”” is to document the uniqueness of this time in the series of interviews with Latvian film directors whose films were made or distributed during the pandemic. The collected theoretical material, starting from the specifics of cultural journalism and interviews as a genre, the impact of Covid-19 on the film industry, and ending with the theory and technical aspects of film art, is essential for qualitative cultural journalism.
Cinema theatres around the world are closed and film directors and producers have been saving their work to the viewers for more favorable time – when the cinemas will be opened again. Over the decades, cinemas have survived a number of competing technologies that threatened their existence, including television, cassettes and discs, and streaming platforms that are now easily accessible to almost anyone, anywhere, anytime. Despite the many flexible options available to watch movies, people continued to go outside to enjoy cinema on the big screen. But the Covid-19 crisis has done what two world wars have failed to do: it has closed the doors of cinema theatres. Cinema in its traditional form, as one of the tools of mass communication and one of the most influential media performing its respective functions, could undergo serious changes. The aim of the author of the creative bachelor's thesis “Interview series with Latvian feature film directors “Cinema during the COVID-19 pandemic”” is to document the uniqueness of this time in the series of interviews with Latvian film directors whose films were made or distributed during the pandemic. The collected theoretical material, starting from the specifics of cultural journalism and interviews as a genre, the impact of Covid-19 on the film industry, and ending with the theory and technical aspects of film art, is essential for qualitative cultural journalism.
Description
Žurnālistika
Journalism
Informācijas un komunikācijas zinātnes
Information and Communication Sciences
Journalism
Informācijas un komunikācijas zinātnes
Information and Communication Sciences
Keywords
Kultūras žurnālistika Kino Covid-19 Kinorežija Filmu izplatīšana, Cultural journalism Cinema Covid-19 Cinematography Film distribution