Pašportreta īsfilmas veidošana, izmantojot eksperimentālā kino principus.
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Date
2021
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Rīgas Stradiņa universitāte
Rīga Stradiņš University
Rīga Stradiņš University
Abstract
Bakalaura darba ‘’Pašportreta īsfilmas izveide, izmantojot eksperimentālā kino principus’’ mērķis ir, balstoties uz iegūto literatūru par eksperimentālā kino veidošanas principiem un iedvesmojoties no dažādiem eksperimentālā kino veidotājiem un to darbiem, izveidot īsfilmu, kas tiktu veidota kā darba autores pašportrets. Darba teorētiskajā daļā autore aplūko teoriju par sievietēm kino industrijā, lai gūtu plašāku ieskatu ne tikai sieviešu darbībā kino režijā, bet arī to tēlu attēlojumu filmās. Nodaļā par eksperimentālo kino tiek gūts ieskats eksperimentālā kino aizsākumos, kā arī aplūkota sieviešu darbība eksperimentālajā kino, kurā savukārt autore izvērtē dažu eksperimentālā kino sieviešu režisoru darbus un tipiskākās šāda žanra filmu veidošanas iezīmes. Trešajā nodaļā darba autore pievēršas teorijai par identitātes atspoguļojumu, pašportreta iezīmēm un aplūko piemērus, kur pašportrets ir veidots audiovizuālā formātā.
Darba izveides procesā radošā darba mērķis tiek sasniegts. Pēc teorijas izpētes, tiek secināts, ka sievietes tēls komerciālajā kino nereti tiek neatbilstoši portretēts, un pateicoties eksperimentālā kino principiem, kas ļauj tā veidotājam eksperimentēt ar kino valodu un izmantotajām tehnikām, darba autore spēja izveidot īsfilmu, kas tika veidota ne tikai, lai aktualizētu atšķirīgus un neierastus kino veidošanas paņēmienus, kas savukārt spētu izaicināt skatītāja kino skatīšanās uztveri, bet gan arī izceltu pastāvošo problēmu par sieviešu tēla biežu neatbilstošu attēlošanu kino industrijā. Veidojot īsfilmu kā pašportretu, autorei ir iespēja veidot radošo darbu no sava personīgā skata punkta.
The aim of the bachelor's thesis "Creating a self-portrait short film using the principles of experimental cinema." is to create a short film as a self-portrait of the author, based on the literature on principles of experimental film and inspired by various experimental filmmakers and their works. In the theoretical part of the work, the author looks at the theory of women in the film industry in order to gain a broader insight not only into the activities of women in film directing, but also their portrayals in films. The chapter on experimental cinema provides an insight into the beginnings of experimental cinema, as well as women's activities in experimental cinema, in which the author evaluates the works of some female directors of experimental cinema and their most typical features of filmmaking in this genre. In the third chapter, the author focuses on the theory of identity representation, self-portrait features and looks at examples where the self-portrait is created in audiovisual format. The aim of the work is achieved. After researching the theory, it is concluded that the image of a woman in commercial cinema is often inadequately portrayed, and thanks to the principles of experimental cinema, which allows the creator to experiment with cinematic language and techniques, the author was able to create a short film not only to actualize different and unusual cinematic techniques, which in turn could challenge the viewer's perception of cinema, but would also highlight the problem of frequent inappropriate portrayals of women in the film industry. By creating the short film as a self-portrait, the author has the opportunity to create a creative work from her personal point of view.
The aim of the bachelor's thesis "Creating a self-portrait short film using the principles of experimental cinema." is to create a short film as a self-portrait of the author, based on the literature on principles of experimental film and inspired by various experimental filmmakers and their works. In the theoretical part of the work, the author looks at the theory of women in the film industry in order to gain a broader insight not only into the activities of women in film directing, but also their portrayals in films. The chapter on experimental cinema provides an insight into the beginnings of experimental cinema, as well as women's activities in experimental cinema, in which the author evaluates the works of some female directors of experimental cinema and their most typical features of filmmaking in this genre. In the third chapter, the author focuses on the theory of identity representation, self-portrait features and looks at examples where the self-portrait is created in audiovisual format. The aim of the work is achieved. After researching the theory, it is concluded that the image of a woman in commercial cinema is often inadequately portrayed, and thanks to the principles of experimental cinema, which allows the creator to experiment with cinematic language and techniques, the author was able to create a short film not only to actualize different and unusual cinematic techniques, which in turn could challenge the viewer's perception of cinema, but would also highlight the problem of frequent inappropriate portrayals of women in the film industry. By creating the short film as a self-portrait, the author has the opportunity to create a creative work from her personal point of view.
Description
Multimediju komunikācija
Multimedia Communication
Informācijas un komunikācijas zinātnes
Information and Communication Sciences
Multimedia Communication
Informācijas un komunikācijas zinātnes
Information and Communication Sciences
Keywords
eksperimentālais kino, pašportrets, sievietes režisores, sieviešu tēls kino, identitātes atspoguļojums, experimental cinema, self-portrait, female directors, female characters in cinema, representation of identity